Saturday, April 21, 2007

BRAVO TASLIMA

After a long time somebody who expresses similar thoughts as my self
LAJJA author Taslima of bangladesh who is in exile in India.
I strongly urge the indian govt to grant her request in the tradation of India from time immemorial starting from parsis to jews of kerala to dalailama .

this is the excerpt from rediff interview

"Bangladesh needs a revolution: Taslima

April 21, 2007 14:04 IST








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Controversial Bangladeshi author Taslima Nasrin is unenthusiastic about the recent political developments in her country, viewing it as just a passing phase and seeing no hope of her going back there soon.

"I think this is temporary. I would like to think this is the beginning of a change. But who would come to power? The same old political parties who are pro-fundamentalist, who use Islam for their own interests to get votes from the ignorant masses," Nasrin told Karan Thapar in the CNN-IBN programme 'Devils' Advocate'.

"They would come to power and they would never allow me to go to my home country," she said.

Nasrin said nothing short of a revolution was needed in Bangladesh.

Asked about an editor of a Bangladeshi newspaper recently writing that her rights should be reinstated, the author said, "It's wonderful... But it is only one lonely voice."

Nasrin, who has been living in exile for the last 12 years and is currently residing in India, said this country has to be her home in the foreseeable future.

The author, who has invited the ire of the Muslim clergy and fundamentalists over her anti-Islamic views as also her explicit style of writing, said she would love to live in India.

Nasrin, who has requested the Indian government to grant her citizenship, was asked if she felt unsafe in India due to the warnings issued by Muslim organisations, and she said, "It's not safe, but I love to live in India. And I would like to live in India if I got the chance."

Asked if she did not fear she could get killed here, Nasrin said, "That can happen anywhere in the world. Fundamentalists are everywhere in the world...I was thrown out of Bangladesh. And when I was living in Europe, I got security. But still fundamentalists could kill me there."

Sticking to her critique of Islam, Nasrin, who first created a storm with her book 'Lajja', "There is no equality between man and woman in marriage, divorce, child custody and inheritance in Islam."

She, however, said it was not just Islam that she had a problem with. "I criticise Islam and I also criticize Christianity, Judaism. I criticise Hinduism because women are oppressed by all religions."

Nasrin said, "Religion itself is against women. It's not only the fundamentalists. Religion was actually created by men for their own interests."

Asked to react to the criticism that her writings were aimed at grabbing attention through cheap titillation, she said, "I don't need publicity. It's a dangerous thing to say.

The fundamentalists issued a fatwa against me, set a prize on my head. I couldn't live in my own country. I have had to live in exile for more than 12 years."

Nasrin said she was only telling the truth and wanted to make women conscious about their rights and freedom.

"I don't want any religious law. I don't want any patriarchal system," she said."

Tuesday, October 24, 2006

computer Aided manufacturing for Hindu Temples ?

tho following is excerpted from
India today

June 7, 1999



AHMEDABADChip by Chip
An enterprising marble miner uses computers to carve and build temples.
By Uday Mahurkar
Computer-Aided Technology has helped Trivedi reduce the time for constructing temples from several years to just around a year.
Kiran Trivedi is a well-known exporter in Ahmedabad. But he doesn't export mundane items like garments and handicrafts. The 44-year-old marble miner is into more august stuff: temples. Complete with intricate stone carvings, exquisite sculptures, latticed windows and huge columns. But not for Trivedi the drudgery of endlessly chipping away at a piece of marble with chisel and hammer. This enterprising carver has developed the technique of making prefabricated temples by improving upon the Italian computerised stone-cutting technology. Though Trivedi's USP is building traditional marble temples with intricate carvings, his modus operandi is far from it -- it's totally hi-tech
So it wasn't surprising that residents of Bromwich, a suburb in Birmingham in the UK, chose him to build a temple for them. Ordinarily, the 91 ft by 73 ft temple to be built at a cost of about Rs 6 crore would have taken four years to be put up. Trivedi took on the job early last year and promised to have the temple ready in less than one year. It wasn't an empty promise. The technology he uses drastically reduces the time frame for cutting and carving stone and marble for a temple -- at no extra cost. And he delivered.
The Bromwich temple was designed by Trivedi's architect Nimesh Shah on a computer before the pillars, columns, idols and other carved pieces were given shape at the factory in Ahmedabad. Then each piece was numbered and shipped to Bromwich, where it is now being assembled. Says Chandubhai Patel, an economics teacher in Bromwich and a major fund raiser for the temple: "What would have taken several years is now taking just around a year. This is a revolution in the process of temple construction."
Spurred by the success of his Bromwich venture, Trivedi is now putting together a Rs 10 crore Jain temple to be shipped to San Francisco. He also has orders for making temples in India. A member of a family of traditional sculptors of Sompura in Gujarat -- his father Jitendrabhai helped restore the famous Dilwara Jain temples at Mount Abu in Rajasthan in the early 1950s -- Trivedi branched out as a marble miner and exporter in 1982. "I started this work as an experiment two years ago," he says. "Today I still can't believe that it has succeeded so well."
Of course, a lot of foresight and hard work has gone into it and Trivedi has developed an eye for new technologies in his line of work. In fact, he can now boast of the most modern stone-cutting technology in the country. During a visit to Italy three years ago he bought a computerised machine which helped in carving European-type sculptures. With his penchant for innovation, Trivedi adapted the Rs 1.5 crore gadget to create Indian temple sculptures. The functioning of the machine appears simple enough. Architect Shah feeds the design of the required piece into the computer attached to the machine. When a marble slab is placed on it, the computer-aided cutter begins carving the stone. No human hands, no chisels required.
The advent of the hi-tech doesn't mean, however, that the exporter has dispensed with skilled craftsmen. Nor has he retrenched any worker from his factory. For, given the intricacy of Indian carving, the machines do only 85 to 90 per cent of the job. The finishing touches are still given by accomplished artisans. Trivedi now employs about 200 sculptors as against less than 100 two years ago before he brought the machines. Says Jaganbhai Sompura, a traditional sculptor: "It has reduced our burden without affecting our employment. Our skills are now focused on actual carving, instead of measuring dimensions and proportions."
Trivedi, who went about on a two-wheeler 17 years ago, drives a swank Rs 25 lakh Mitsubishi Challenger and has become as rich and famous as the people who seek him out. Last year UK-based steel magnate L.N. Mittal approached him to make latticed windows, marble idols and fountains to be used during the wedding of his son in London. "His strong point is his ability to look beyond anything that others can visualise," says Prakash Jain, a Delhi marble miner. That's enterprise for you. No wonder the gods smile at him -- from the temples that he builds for them.


also look up the article about the global pagoda in Mumbai in the latest asiatimes .

Saturday, September 30, 2006

Zero Sum Game



"good idea but poor execution couldhave been more fast paced and shorter "

hari

A fictional satire on patenting system. When USA patents Indian seeds after genetically modifying them, an Indian farmer suggests that India should teach US a lesson by patenting Zero. The film unfolds into an interesting chain of events right through a News Agency, Indian Parliament and then the White House. Film made by Kapil Suravaram, S.N.School, University of Hyderabad, Hyderabad, India. Adapted from a story by Bibhas Sen. Film in English, Telugu & Hindi (With subtitles in Hindi)

Shivanasamudra Falls

Shivanasamudra (or Shivasamudram) is a small town in southern Karnataka, India near Mysore. The town is situated in in Malavalli taluk, Mandya District. Near the town is the famous Shivanasamudram (also known as the Siva Samudram, literally meaning Shiva's Sea) waterfall. The Kaveri River splits here into two branches and each branch cascades down rocky cliffs. The more popularly viewed cascade is known as Gaganachukki and the other cascade is known as Bharachukki. From Bangalore: There are 2 routes to reach the falls

Saturday, April 22, 2006

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File written by Adobe Photoshop 5.0 shan dancing drummer
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an interesting shan dance from ?burma

Sunday, April 09, 2006

nupur_recipe_list